A glorious day this!

After our weekend at the Rollo Bay Fiddle Festival, we took another “downtime” day at our cottage. I promised myself that I would open up my watercolors and do a bit of painting. Art helps me stop and really look at light and shadow, at color and movement. I lugged my chair out to what we called “The Point” and began.

Whenever I paint or draw, my inner critic is at the ready. I told myself, this is for me, no one else. I swirled my paintbrush in a teacup of water. Dabbed into a blue and then a bit of red. Not quite right? Dilute the color a bit. Absorb the previous attempt with a paper towel. See? No big deal. This is for me.

Painting is more meditative than taking a photo. I really look at the shape of the shadows, and how the sunlight plays on the grasses. I notice the variation of color among the wildflowers. I watch the sea breeze lift the spruce boughs.

Journaling is another way to pause and capture, especially emotion. Here is an excerpt from Lucy Maud Montgomery’s journal, written when she was 17 years old. In this entry, she shares her emotional response to the natural world.

A glorious day this-mild and sunny; moreover it has been one of those rare ones when everything goes exactly right and life seems bright and serene. This morning I took a walk through the woods down to the spring-the loveliest spot. Oh, it was all so beautiful! The calm fresh loveliness of the woods seemed to enter into my very spirit with voiceless harmony-the harmony of clear blue skies, mossy trees and gleaming snow. All the little fears and chafings shrank into nothing and vanished. Standing there beneath that endless blue dome, deep with the breathing of universal space, I felt as if the worlds had a claim on my love-as if there were nothing of good I could not assimilate-no noble thought I could not re-echo. I put my arm around a lichened old spruce and laid my cheek against its rough side-it seemed like an old friend.

Lucy Maud Montgomery, The Complete Journals of L.M. Montgomery, The PEI Years, 1889-1900, entry dated March 16, 1892.

Lucy Maud Montgomery is speaking to my heart. My home is on a wooded hillside in Massachusetts. After spending hours with my face in a computer screen, I am grateful for the chance to rest my eyes on acres of green. Our time on the Island gave us an opportunity to gaze at the endless blue dome of the sky (not as visible in the woods) and vastness of the deep blue sea.

My little painting of the Cape Bear Lighthouse.

Rollo Bay Fiddle Festival #47

We timed our trip to Prince Edward Island so that we could partake in the Rollo Bay Fiddle Festival. This is a small, family-centric festival. One main stage meant no running from stage to stage to catch the next act. The workshops are aimed to raise up generations of fiddle players. The festival featured minimal vendors for food, drink, and musician merch. Less distractions, more focus. In short, this was my scene.

On Friday night, we were welcomed by the Chaisson family. The Chaissons are hugely influential in the Prince Edward Island music scene, so I am surprised to find little online information about the family. Here is an article on Kevin, co-founder (or son of the co-founder?) of the PEI Fiddlers’ Association. Tim Chaisson, Darren Chaisson, and J.J. Chaisson were especially visible during the weekend. Yes, they led various fiddle sessions. And, they did the grunt work as well. Guided vehicles through the muddy parking areas, shoveled gravel to aid the stuck RVs, and made emergency runs for toilet paper.

As indicated by the mention of mud and stuck vehicles, rainy weather impacted this year’s festival. The weather held on Friday night, but the skies opened up on Saturday. The festival grounds were sopping wet. Fortunately, the afternoon sessions took place in the ceilidh barn. Ed and I settled in for the songwriter circle.

The circle included Andrea Beaton (Cape Breton), Laura Cortese (San Francisco, CA), Shane Pendergast (Prince Edward Island), and the indomitable Liz Carroll (Chicago, IL). Liz was the obvious Queen, and rightly so. Her skills are impressive. The layout of her website is a little crazy. Nonetheless, it is a good starting point for learning about her. These fiddlers spend more time on their craft than their online presence! Again, less distraction and more focus.

After the songwriter circle, we purchased warming soups from the Ladle and Loaf food truck. I got a luscious butter chicken and Ed got the corn and bacon chowder. Sitting under the beer tent, we decided to forgo the evening sessions and head back to the cottage. Driving through sheets of rain and puddled roadways in the daylight hours was preferable to leaving in darkness and fog.

We returned to the ceilidh barn on Sunday. The Rollo Bay Kitchen Group (pictured above) kicked off the sessions. This is a group of beginners lead by Darren Chaisson. Fiddlers are encouraged to join in at increasing levels of difficulty.

The afternoon had a recital atmosphere with J.J. Chaisson as the master of ceremonies. Queens County Fiddlers were next. Prince Edward Island has three counties: Kings County, Queens County, and Prince County. Each county has fiddle sessions.

The primary function of the [PEI Fiddlers] Society is to preserve the music by encouraging future generations to take up the fiddle, and exposing the music to as wide an audience as possible. 

Queens County Fiddlers website

The Fanø Fiddlers hail from a small island in Denmark. This group of youngsters and their instructor completely charmed us. The brother-and-sister duo James and Sara Nelson (New Brunswick) talked about taking lessons at Rollo Bay as children. They finished their set with step dancing.

The Receivers likewise shared their gratitude for instruction. This tune, offered to Koady Chaisson whose untimely death shocked all of us in January 2022, brought joy to our hearts and moved us to tears.

The sun shone on the evening sessions. During the 6 Hearts session, Tim Chaisson and Jake Charron (from the East Pointers), and Emmanuelle LeBlanc and Pascal Miousse (from the band Vishtèn) invited the seated crowd to get up and move toward the stage. We joined in the joyous celebration with commitment to return next year for Rollo Bay Fiddle Festival #48.

Next year, I will be on the floor for the “Here We Go Barn Dance.”

Home Cooking on PEI

We live in Montague, Massachusetts, so we were tickled with the idea of vacationing near another Montague. This Montague is larger than ours. Two grocery stores, hardware and liquor stores, and several restaurants. This is where we did our grocery shopping.

Montague is on a branch of the Confederation Trail, an extensive rail trail that runs nearly 170 miles from Tignish to Elmira. There are multiple branches to small towns where long distance walkers and bicyclists can find restaurants and accommodations. In Montague, the trail runs alongside the Montague River pictured above.

I have baking in my blood. My maternal great-grandfather and his sister were bakers in Ireland, and he continued his craft after emigration to the United States. I love freshly baked breads-who doesn’t? During our vacation, I enjoyed purchasing bilingual ingredients to make these cream biscuits one morning.

I had one bread failure from accidentally turning off the oven after preheating. The loaf rose and then collapsed. Determined to redeem myself, I baked another loaf several days later. I did miss my bread knife. The knives in rental kitchens are always dull.

We discovered several “home cooking” style restaurants. I wrote about Home Plate in an earlier post. We joined our friend Louise, her friend Beth, and her cousin Leo at local favorite Harbourview Restaurant. I had the award-winning seafood chowder and Ed had pan-fried scallops with mashed potatoes and peas. Later in our trip, we ate at Our Family Traditions in Tignish. Again, the sides were mashed potatoes and peas. So, I guess that is a P-E-I thing?

Local fiddlers provided a different style of home cooking. The night before the Rollo Bay Fiddle Festival, we headed to Hillcrest United Church to see Fiddlers’ Sons with guest fiddler Cynthia MacLeod. The church pews were jam-packed. Cynthia is a lively performer with “crackerjack” fiddling skills. Her albums, including Crackerjack, are available for download at Bandcamp.

Here is a pandemic era virtual concert that features Cynthia with Brent Chaisson. More about the Chaisson Family in my next blog post!

We might wander at will

Lucy Maud Montgomery loved walking in the woods. We are forest-dwellers ourselves, and our time on Prince Edward Island gave us ample opportunities appreciate natural beauty of this place.

Those dear, old woods down there are so pretty-all shadowy nooks, carpeted with moss, or paths with ferns or wildflowers nodding along them. We sauntered down under the trees and flung ourselves down on a mossy bank by the brooks. And there, fanned by the cool breezes, we lay and gazed through half-shut-lids at the blue sky, smiling through the traceries of the spruce boughs, or explored by the eye the intersecting glades and dreamed idly of long, delicious summer days to come, when we might wander at will through those ferny depths and gather all the joys of Nature’s bridal hours.

From Lucy Maud Montgomery’s journal, dated May 6, 1890 when she was 15 years old.

The ferny depths.

And nodding wildflowers.

The beach roses!

And shadowy nooks.

This mysterious red berry. So brilliant in the sun.

On December 11, 1890, Lucy Maud Montgomery writes from her father’s home in Prince Albert, Saskatchewan:

I’ve been very lonely and homesick of late. Oh, for one glimpse of Cavendish [her hometown on Prince Edward Island]! Of course I know that it is winter down there now, just as here, but in thinking of it I always remember it just as I left it in the prime of summer with buttercups and asters blooming by the brooks, ferns blowing spicily in the woods, lazy sunshine sleeping on the hills, with the beautiful sea beyond, blue and bright and far-reaching. There is no spot on earth more lovely.

From Lucy Maud Montgomery’s journal, newly 16 years old. Her birthday is November 30, 1874. Her mother died from tuberculosis when she was barely 2 years old. At that point, she was placed in the care of her maternal grandparents. Her father moved to Saskatchewan when she was 7 years old. As a teen, Lucy Maud Montgomery spend one year with her father and his new family before returning to the Island.

Tabooetooetun, “place with two arms”

After our visit to the Green Gables Heritage Place, we took a short drive to Rustico. Peter LeClair, Ed’s great-grandfather, was born in Rustico. The bay is the traditional and unceded territory of First Nations Mi’kmaq (pronounced mi’kmaw). The two arms surround a bay noted for oyster beds. Tabooetooetun is a historic site for seasonal Mi’kmaq camps.

Colonization of Rustico occurred when the British sought to expel Acadians in 1758. Original settlers seeking refuge included French-speaking families Blanchard, Buote, Doiron, Gaudet, Gauthro, LeBrun and Martin. 

The current name of Rustico comes from one of the first French settlers, René Rassicot, originally from Avranches (Normandy) facing the Mont-Saint-Michel bay, who arrived in Port-LaJoye in 1724. He then settled in the Wheatley River estuary which flows into Rustico Bay. The first spellings “Racica” and “Racico” (used by enumerator de la Roque in 1752) gradually evolved into Rustico.

website Acadie created by Jean-Marc Agator and Jean-Pierre Bernier.

Arnold Smith (featured in the video below) was eager to tell us the history of Rustico. After we toured the museum and Doucet House, we popped into the Genealogy room. The museum holds church records and other historical documents. We were not prepared to conduct research-during this visit! Maybe another time.

To learn more, please watch this video from the Farmers Bank of Rustico and Doucet House National Historic Site.

Prettiest Place in the World

On Wednesday, July 19, we visited the Green Gables Heritage Place. I am nostalgic for Anne of Green Gables. I read aloud several Lucy Maud Montgomery books to my daughters, and together we watched the 1985 miniseries with Megan Follows. Ed and I were ardent followers of The East Pointers #Annedemic readings on Facebook Live during the pandemic. I am not a fan of the Netflix series “Anne with an E.” Like most Netflix series, this interpretation is too dark and disturbing for me. I much prefer the original text and the Canadian Broadcasting Corporation television series.

This Island is the bloomiest place. I just love it here already, and I am so glad I’m going to live here. I’ve always heard that Prince Edward Island is the prettiest place in the world, and I used to imagine that I lived here, but I never really expected that I would. It’s delightful when your imaginations come true, isn’t it?”

Anne Shirley, Chapter 2. Matthew Cuthbert is Surprised, in “Anne of Green Gables” by Lucy Maud Montgomery

Parks Canada preserved Lucy Maud Montgomery’s inspiration for Green Gables-the farmhouse of her cousins, the Macneills. The inside of the house is arranged to mimic the fictional home of the Cuthberts. Pictured above is Matthew’s room and Marilla’s room.

The bedrooms are small, but sweetly decorated. Above is the fictional Anne’s room. The Heritage Place includes walking trails, named Haunted Woods and Lovers Lane. Anne fans will recognize those references. We visited on a rainy day. The scent of spruce was so Christmas-y and lovely! I took this photo to remind me, as there is no way for me to capture that heavenly olfactory experience.

The Cuthbert dining table. Notice the blueberry pie? Not unlike the pie I baked earlier in the week.

Thanks to Ed for capturing this. Unwittingly color coordinated with the Green Gables gardens.

Meals by Maurice

Who is Maurice, you might ask? I am not sure, but please play the video at the end of this post to lift your spirits!

I can tell you about Meals by Caroline at the Home Plate Restaurant and Bakery.

Caroline earns her rave reviews in Murray River. My favorite reviewer says “My mom hasn’t laughed that hard at a restaurant ever. So fun and great food!” I certainly laughed while trying to do justice to the huge pot of tea I was given, alongside the large plate of fish and chips. Ed enjoyed the maple bacon on his burger, despite the fact that Caroline herself does not enjoy the taste of maple.

We needed a walk after that lunch, so we headed to Poverty Beach. The beach was not the best for strolling-lots of rocks and seaweed. But, we put our feet in the salty sea and marveled at the rusty-colored stones and pebbles.

We spent two glorious “downtime” days to recover from our two travel days. We made plans for daytrips to further explore the island.

But, oh, what a blessing to simply take in the beauty of this place!

As promised, Meals by Maurice.

From the album “Secret Victory” by The East Pointers.

Good stars met in your horoscope

Woman standing by the sea.

The good stars met in your horoscope/Made you of spirit and fire and dew ~Epigraph in Anne of Green Gables by Lucy Maud Montgomery

From the poem “Evelyn Hope” by Robert Browning

Honestly, I was stunned by the beauty of Prince Edward Island. We arrived on Sunday, July 17 after a two-day drive from Massachusetts. I felt blessed by all the stars in the heavens.

Prince Edward Island is the birthplace of my husband’s maternal grandmother Olive Gaudet. Ed and I had several excellent reasons to visit PEI. Genealogy is one reason. Another relates to our experience of the global pandemic. The East Pointers, a roots music band from Prince Edward Island, launched a nightly reading of Anne of Green Gables in April 2020. Every night at 6:00pm ET, we set our laptop on the table with our supper. We listened to Koady Chaisson, Tim Chaisson, and Jake Charron (and their many friends) read a chapter and play a fiddle tune. #Annedemic was a bright spot in an otherwise confusing time, and the readings united us with people from all over the globe-literally.

Man on a street corner.

The drive to Prince Edward Island is long. Long and beautiful! Up through Maine and across New Brunswick. Our travel day was rainy, and the mist hung in the evergreens along the highway. We stopped in St. John, New Brunswick for coffee and tea. This port city is where Ed’s grandmother Olive Gaudet left Canada for Boston, according to her naturalization papers.

Our first meal on the Island was a Bogside Brewing in Montague, PEI. Yes! Another Montague. Not only that, but Gone Coastal was on tap! An obvious cousin to Ed’s Gone Postal. I went for the Belgian Wit, and we both scarfed down burgers and fries after our long drive.

A cottage with screened porch.

Our sweet cottage. As lovely as the place is, there was a plague of mosquitos. Seriously. Swarms of them. The screened porch helped. We stayed for two weeks (aka, a fortnight).

On our first morning on the Island, we headed into Montague for groceries. Our first supper on PEI-mussels, new potatoes and blueberry pie. I love having a kitchen when I travel. A relief and yet another blessing to have home-cooked meals and freshly baked treats.

Book on a nightstand.

Every night, I read a short story by Lucy Maud Montgomery. Chronicles of Avonlea was published in 1912, and gives a nod to Anne Shirley. The spunky orphan is mentioned in several stories, but is the main character in none. One of the more humorous stories involves quarantine during the smallpox epidemic.

“Now, now, don’t quarrel, my good people.” interposed the doctor seriously-but I saw a twinkle in his eye. “You’ll have to spend some time together under the same roof and you won’t improve the situation by disagreeing.”

While listening to the doctor I had been thinking. It was the most distressing predicament I had ever got into in my life, but there was no sense in making it worse.

“Very well, doctor,” I said calmly. “Yes, I was vaccinated a month ago when the news of the smallpox first came.”

[She’s told this isn’t enough protection to ensure that she won’t spread the disease.]

Quarantine at Alexander Abraham’s, short story by Lucy Maud Montgomery

Inventing Lovers on the Phone

I wrote this piece for a creative nonfiction writing course in 2021.

“At Seventeen” hit the Billboard charts when I was in high school. This haunting bossa nova tune filled the airwaves with a lament that love was made for beauty queens. Like Janis Ian, I was a kid whose name was never called when choosing sides for basketball. Her lyrics drew me in with melancholy observations of the beautiful. The song ultimately reveals that life will not be flawless for hometown queens. Janis Ian gets us there with a samba step, forward and back. We step into predictions that the beautiful will lose love. We step back into cheating ourselves at solitaire.

At seventeen, I stepped away from my own high school lament. Dance clothes shoved into a knapsack, I got off the bus in a very sketchy part of Boston. Did my mother understand my route to the Boston Conservatory? I did not share this information with her at seventeen. I strode, exhilarated by my freedom, from the bus stop to my 1-mile walk down Boylston Street.

Building sign for the Boston Conservatory
The Boston Conservatory merged with Berklee College of Music in 2016.

That summer, I left behind the high school girls with clear skinned smiles. The cheerleaders and the jocks and their Friday night parties that excluded me. I joined strangers in our mutual love of dance. Skinny young women, skinnier and more talented than I, but it didn’t matter. “Have a good class,” they’d call out to me as I leaned over the drinking fountain. We were dripping with sweat in those dance studios.

At seventeen, I donned footless dance tights and leotards with skinny straps. Bobby pins in my mouth, I pulled back my thick, brown hair and secured my bun. Ballet, jazz, modern. The barre work was hard, and the floor work intimidating. Dance teachers adjusted the placement of our arms, lifted our legs higher, and corrected the alignment of our hips. In my heart, I knew that I would never be a professional dancer. Remarkably, at seventeen, it didn’t matter.

Brick building in the city
Boston Conservatory dance studios were in this basement in the 1970s.

I held my head erect. After morning classes, I walked through Boston like a queen. I reveled in anonymity. The spell was not broken by the bus ride to my job. At seventeen, I scooped ice cream for the money to pay for my freedom. I made sundaes with perfect swirls of whipped cream. I mastered the art of ice cream sodas, balancing scoops of ice cream against long spoons. If the ice cream plopped into the soda, the drink would bubble over the glass and onto the countertop.

After work, I clumsily tossed frisbees in the parking lot with the other teens. Some, as Janis Ian would describe, with ravaged faces lacking in the social graces. Work romances developed over the summer, but not for me. I remained alone as socially awkward teens paired up with other socially awkward teens. I could barely listen to “At Seventeen”, a song that cut too close to the bone.

That was long ago and far away. My social life blossomed in college, and I learned the thrill and heartbreak of young love. At seventeen, I filled the bathroom sink with cold water and a capful of Woolite. My hands reddened in the cold water as I washed my leotard and tights. I slung them over the shower curtain and spread a towel on the floor to catch the drips. Consoled myself with invented lovers who called and said, “come dance with me.”

The samba, forward and back.

Some Lines Run Parallel

I wrote this piece in response to prompt on dream sequences.

With my daughters at Lincoln Center

Penn Station. I look for the train to Northampton, Massachusetts. I want to go home, and the woman in front of me is taking forever to get her ticket. I am pressed for time, alone, and anxious. I dig around in my bag for my wallet. I open my wallet, pull out every card—insurance, membership, library—until I find my credit card. I hurriedly purchase my ticket. While I put my wallet back into my bag, the train pulls away. I run to the platform and shout “no” as an amusement park train, bright red with gold lettering, rounds the bend away from the city. The train conductor in his striped overalls is oblivious to my distress. I turn to see my daughters playing stringed instruments and dancing.

This dream stays with me for days. My daughters dance, and I want to go home.

Somehow, just now, I realize that my daughters are adults. Ridiculous, I know. College graduations celebrated a decade ago. Both girls survived graduate school and launched careers. Meghan joined an architectural firm, married, and has two children of her own. Three years ago, Natalie made a big move to New York City, opened an acupuncture practice, and fell in love. My daughters are fully in their own lives. For days after this dream, my emotions tangle up in my throat.  

My throat constricts around these emotions as I tell my husband, not their father, that I miss them. I need to spend time with my girls. I could take the train to New York to visit Natalie. Maybe Meghan would join us. Could she take a weekend away from her young family to spend time with her mother and sister?

Neighborhood in Queens, NY

I rehearse the trip in my mind, but my imagination doesn’t take me far. I have no idea how to get from Penn Station to Queens. I flip through memories of transit systems. Boston. Chicago. Washington, DC. Seattle. Salt Lake City. Atlanta. Paris. All are infinitely easier to understand than New York City Transit, with 472 stations in Manhattan, Brooklyn, Queens, and the Bronx.

Massachusetts Bay Transportation Authority (the T): 149 stations.

Chicago: 145.

Washington Metro: 91.

I grew up in the Boston suburbs. As a teen, I learned the T with its Orange, Red, and Green lines. I know the open weave of these color lines and the order of the stations (Sullivan Station, Community College, North Station, Haymarket—please drop the “r”). I know when to make my way toward the doors to exit.

Seattle perplexed me with its the honor system on the Light Rail. Riders purchase tickets from a kiosk but there are no turnstiles, and no one checks your ticket before you board. TRAX in Salt Lake City is similar. Fare inspectors supposedly circulate through the trains, but I never saw this happen.

The Atlanta transit system is clean, safe, and easy. MARTA is the cheapest option to get from airport to hotel, and to local tourist attractions. Rather than Uber or Lyft, I waited on the Peachtree sidewalk for Bus 816 to take me to the Jimmy Carter Presidential Museum.

The Paris Métro is a tighter weave of colored lines that serves 303 stations. Despite jetlag and the limits of high school French, I quickly learned the routes to take me from a rented apartment in Montmartre to destinations all over the City of Lights. I finessed the flick of the wrist necessary to unlock the train door handle before exiting.

My one experience with New York City transit was more harried. There are multiple lines that will theoretically get you to where you want to go. Express trains breeze through your intended stop. Some trains run only on the weekdays. Some trains alter routes in the evening. Some lines run parallel to each other with identical station names, but the stations are not the same.

Daunting.

In my dream, I want to go home. And that conductor in the striped overalls? He commands the Explorer Express at the EcoTarium in Worcester, MA. Those train tracks curve through the museum grounds. I want to climb aboard for an open-air family excursion through forest and meadow. In my dream, the Explorer Express left the station without me, and I turned to see my daughters in their adult lives.

I text my daughters—could we plan a visit? I offer to get tickets to the Nutcracker at the New York City Ballet. Their excited responses fill my heart. Throughout their childhood, we listened to Tchaikovsky’s Nutcracker on Christmas morning. The aroma of cinnamon and balsam filled our home. The taste of peppermint and chocolate filled our mouths. We decide on a weekend in early December.

I cannot imagine how I will travel from Penn Station to Natalie’s apartment in Queens. Instead, I imagine stringed instruments and dancing, cinnamon and balsam, peppermint and chocolate.

On the train